Product Review - Mischief

Recently I was provided a copy of this fantastic painting program called Mischief. What makes Mischief unique, amongst painting programs is the fact that it is a vector painting program. What that means is that you can scale your image as large or as small as you want and you will never lose quality. It also has an "infinite canvas" so you can literally paint as much as you want and never have to worry about size. In the Digital Media world, if you are doing any sort of graphic design work, you typically will use a vector program like Adobe Illustrator. The downside of Illustrator, as opposed to a program like Photoshop, which is NOT a vector program, is that you don't have as much freedom when it comes to the organic qualities of a painting program. This is where Mischief comes in. It combines that incredible painting capabilities of a program like Photoshop, while allowing you to do vector work like Illustrator. As someone who dislikes using Illustrator, but needs to do vector work, this was a godsend.

The Mischief user interface

Up until now the only program I've used to paint is Photoshop, so I was excited to give this a try. The layout is pretty simple, with your layers, tools, and brushes all on the right side of the screen. Mischief comes preloaded with a few different digital pens, pencils, markers, highlighter, etc. Below your drawing tools, there is a section called paper, which allows you to choose form a variety of paper textures. This is really cool as it allows you to replicate the feel of working in a traditional medium! For the pens you are also able to control the size and opacity of the pen, along with the color. For the paper, you can control the strength of the texture along with the color. What's interesting about both of these sections is you can save up to 6 different color presets. So if you have certain colors you use all the time, this is a great way to keep them organized. Unfortunately it looks like you are limited to only 6 colors. Additionally if you know the specific Hex key for your color, there is no way to select that specific color, which is a bit of a let down.

The various paper textures included with the program

Now anyone who knows me knows that when I learn a new program I like to learn all of the hotkeys. Mischief has gone ahead and under the help menu included a nifty little list of all of the programs hotkeys. I was very glad to see this as it made learning to use the program a lot easier! I was also very pleased to see that there were actions already programmed in to flip your layers and you canvas, which is a feature I use quite often! The only shortcut I couldn't seem to find was a shortcut to clear the entire canvas. There is a command to do that under the "Edit" menu, but for some reason there isn't a shortcut. I would have liked to see that included, so perhaps in a future update that can be implemented. One thing that was really nice to see though as a Photoshop user, is that the majority of the hotkeys are the same as those in Photoshop, which made switching between the programs very simple!

List of all of the shortcuts in Mischief

Now when I opened up the program for the first time, I was a bit confused as I'm used to seeing my brushes when I use them, so I can know what the size is. For some reason the default setting in Mischief is to just use your cursor icon. Now there is a way to fix that, if you go to your preferences, found in the Edit menu, you can change it from the cursor to the pen cursor. There are also options for using a crosshair or nothing at all, but I prefer the pen. In my opinion, I would've made the pen the default, as I feel that's what most people would be accustomed to. One little glitch I have found with the pen cursor is that when you swap from your brush to your eraser, the size of the icon doesn't change. You have to hit your bracket key to make the change. This can be a pain if you are using a large eraser and a small pen, as you might get confused.

One SUPER cool feature that Mischief has is what it refers to as a "See-Thru Window." This turns Mischief transparent so you can see whatever you have open behind the program! This is amazing because if you need to trace something or want to have reference on hand, it turns the program into a light table. I LOVE this feature, and think that it's absolutely brilliant! You can also change the opacity of this feature to suit your needs. 

The See-Thru Window in action!

Mischief will allow you to export your entire visible canvas or specific sections of the canvas as either PSDs, JPEGs, or PNGs. You can also import JPEGs directly into the program. Overall I was very happy with Mischief! There were a few minor things that would be nice to have. Perhaps having more brushes, or the ability to add brushes. Also having a dedicated hotkey to clear the canvas would be nice as well. Other than that, I would highly recommend this product! I tested it out on PC but there is a Mac version as well. I also used my Wacom Intuos for this review, not my GT-190, so I will update this review once I'm able to test it with that. You can purchase Mischief at their site for $65. I would give this product an 8.5/10

Here are links to Mischief's site and their social media sites.

Website - http://www.madewithmischief.com

facebook - https://www.facebook.com/madewithmischief

twitter - https://twitter.com/GetMischief

tumblr - http://madewithmischief.tumblr.com/

As always thanks for stopping by and enjoy!

~Josh

Traditional Animation - Attempt #1

Lately I've been on a bit of a traditional animation kick. I've been watching tons of documentaries on the subject and several animated films I've either never seen before or haven't seen in quite a while. The last time I did any 2D animation was back in December of 2012, so I decided I wanted to try my hand at a quick 2D animation. As some of you might be aware I'm a magician, and the trick that got me into magic was when I asked this magician for his business card and he pulled it out of thin air. I thought it would be cool to animate that trick. I shot myself doing the trick and began to animate! This was done with 14 different drawings, with the majority of them being on 2s. What that basically means is that each image was held for 2 frames, with a few exceptions. Anyways, enough talking, heres the animation!

This was a lot of fun to do, and I'm happy with how it turned out. I  plan on going back and cleaning up the animation since it is pretty rough. Who knows maybe I'll start doing some more 2D animations in the future!

As always thanks for reading and enjoy!

~Josh

Lineart Tutorial

I was recently asked by a friend how I do my lineart. Now I'm no expert but I have recently found a method that I actually think works for me. Hopefully this will help some of you!

Lineart Tutorial from Josh Janousky on Vimeo.

As always enjoy!

~Josh

Toothless - Piece Breakdown

I thought it might be fun to show my process for editing my latest photo. I recently got a new camera, a Sony A77, which is a BEAST of a camera. Something that I've always found fascinating is macro photography of toys and action figures. I love it when the photographer uses them as if they were real life models and tells a story with the piece. As you know I'm a huge fan of How to Train Your Dragon, so I decided to do a macro photo of my Toothless figurine. Here is the original photo straight out of the camera.

It's not too bad of a photo, but I know that I could do so much more with it. Here's what I did:

The first thing I did was recompose the shot to match with the rule of thirds.

Next I did some cleanup to the background, getting rid of some stray pieces of grass.

Since I wanted Toothless to be the focus of the image, I sharpened him up a bit.

This step is probably really subtle, but I added some dust by the light source to add a bit of atmosphere to the piece.

While I had some really nice background defocus going on, I wanted to add a bit of bokeh as well.

Now that I had most of the touchups done, I did some basic color correction to make the greens really pop.

Something I did on this piece, since I was trying to tell a story, was add some widescreen bars to make it feel a bit more cinematic.

I also added a vignette to add to the cinematic feeling a bit. Plus I really like vignettes haha

And here's the final image! I added a lens flare to the image, whichI think really pulled it all together!

Well there ya go! Just a quick little look into how I edited this piece. Hopefully you guys like the finished product as much as I do.

Thanks for stopping by and as always enjoy!

~Josh